Messiah, HWV 56, Pt. 2, Scene 1: Aria. "He Was Despised and Rejected of Men"

Margaret Cable, Dame Emma Kirkby, Emily Van Evera, James Bowman, Joseph Cornwell, Taverner Players, Andrew Parrott, David Thomas, Taverner Choir

Lobet Gott in seinen Reichen, BWV 11: Choral - Nun lieget alles unter dir (Himmelfahrts-Oratorium)

Dame Emma Kirkby, Evelyn Tubb, Margaret Cable, Wilfried Jochens, Stephen Charlesworth, Taverner Players, Taverner Consort, Andrew Parrott

Lobet Gott in seinen Reichen, BWV 11: Aria - Ach, bleibe doch, mein liebstes Leben (Himmelfahrts-Oratorium)

Dame Emma Kirkby, Evelyn Tubb, Margaret Cable, Wilfried Jochens, Stephen Charlesworth, Taverner Players, Taverner Consort, Andrew Parrott

The Frostbound Wood

Margaret Cable, Rosemary Barnes

Hommage a A. Roussel (version for voice, flute and piano)

Margaret Cable

Scenes from Goethe's Faust, WoO 3: III. Faust's Transfiguration: Wie Felsenabgund mir zu Fuben

English Chamber Orchestra, Wandsworth School Choir, Aldeburg Festival Singers, Benjamin Britten, Russel Burgess, Jenny Hill, Margaret Cable, John Elwes, Neil Jinkins, John Noble

Lobet Gott in seinen Reichen, BWV 11: Recit - Der Herr Jesus hub seine Hände auf (Himmelfahrts-Oratorium)

Dame Emma Kirkby, Evelyn Tubb, Margaret Cable, Wilfried Jochens, Stephen Charlesworth, Taverner Players, Taverner Consort, Andrew Parrott

Lobet Gott in seinen Reichen, BWV 11: Evangelista/Recitativo - Und da (Himmelfahrts-Oratorium)

Dame Emma Kirkby, Evelyn Tubb, Margaret Cable, Wilfried Jochens, Stephen Charlesworth, Taverner Players, Taverner Consort, Andrew Parrott

Born Is the Babe

Margaret Cable

Corpus Christi

Margaret Cable, Julian Empett, Rosamunde String Quartet